Tuesday, August 26, 2014

AUDACIOUS KIWIS CAPTURED OUR DIGGERS AND FAMOUS KOALA

 
Avid  postcard  collector and  researcher , Gary  Davies,  of  Magnetic  Island, constantly turns up  items of immense  interest , such  as  the above  World War l  book  produced by  New Zealand  troops  in  1918 , which contains moving and  surprising  content .  Of  particular  note  is  use of  the  term     " Digger "   to  describe  its  soldiers  and  its  origins.
 
Without any mention of  Australians , it  explains that the term "Digger" stands for a New Zealand soldier, equivalent to the English "Tommy".  The Digger term , it says, became general  throughout  the Division , probably adapted because  New  Zealanders  had earned  fame as  trench diggers ...Certainly on no battlefield  that he  has visited , either  on  Gallipoli or on the Western Front, has  the  editor ever seen better diggers  . Man for man the Turk may have been  almost his  equal , the German a good second. In the days of alluvial gold mining  in New Zealand the term "Digger" was in  general use. There are still many gold  diggers in the Dominion. This may have something to do with the adoption of the word by the New Zealanders in France.  
 
 The  publication  includes  a  laconic entry,  THE  DIGGER’S  DICTIONARY,  containing  an  unexpected   reference  to  prolific author , Nat Gould,  recently  mentioned   in  this   blog  ( MELBOURNE CUP ON THE GHASTLY WESTERN FRONT BATTLEFIELDS ) saying  he  was  read  before soldiers " went over  the  top". This indicates that Gould must have had a  big following in New Zealand as well as  in  Australia.
 

Written a day before he was to  return to  the  front line at  Ypes , in France, the boob-boop  of  guns heard in the distance, a writer , only  identified as " Buzzer , contributed  a  powerful article , Anzac : A Reverie . Having just  finished  "Gallipoli " by  poet and writer , John  Edward Masefield , later the Poet Laureate ,  he had  found it  a  powerful  and  sober  narrative, providing pleasure , yet a certain sense of disappointment .  It contained  a picture  from the beaches , not from the ridges  and plateaux. It seemed inevitable that some member of the "wonderful family at Anzac " would one day  find leisure  to reconstruct  in a not unworthy form  the manner of life lived at  Gallipoli.

An intimate, detailed  and truthful revelation might in literary art  fall far short  of a book like Tolstoy’s "Sebastapol" and yet prove  a  document valuable enough  to  justify  publication.

Then  the  soldier goes on to describe in vivid  language aspects of the Gallipoli fighting...the black swollen  dead...wave after wave of Australians ... taking over Quinn’s Post   from   Australians ,Quinn shot dead standing erect  on the parapet  to direct  a counter attack against the Turkish assault ... a heap of about 30 Australian and Turkish dead ...a grim story at Quinn’s about  an Australian narrating his cobber’s difficulties with a jam–tin bomb  which  blew his head  off ...the screams of a poor Turkish devil shrieking “ Allah! Allah!” as  a blockhouse is  set on  fire by shelling ...Australians playing two up ...the Colonel with his famous Rhododendron cudgel  ( swagger stick? )...a  week’s  spell at  Lemnos (Anzac Nurses)  where some terrible scented  brandy was   bought ...trenches only 40 yards apart ...impossible operations, muddle and inevitable failure ... a disastrous day ends  dug in opposite lion-hearted Australians ... in tactics –sniping , patrolling , bombing , and  field engineering , the Turks at the outset  were indisputably more proficient .

Buzzer  commented  on  the charge of lack of discipline  brought against  Anzacs, sometimes based on misunderstanding .Men who had never said "Sir" in their lives or obeyed another man’s command  gave unquestioning obedience to  a competent superior. But they saluted  capability  and character   rather  than  stars and  badges . They had many of them  been masters  of men and owned property ; they were ,if not much older,much maturer and much more  used to  independence than the English troops .They had roughed  it in every wild part of  Australasia . The proportion  of adventurous spirits was noticeably higher  than in the later reinforcements .They were  by no means lambs , and had in their ranks a fair  number of  dare-devil " hard cases ."   Bastard passed  into  common use.

There had been an inevitable sprinkling of unworthy spirits, he said, some of whom had in training  been full of bluster  and high talk. These did not stay long on Gallipoli , but sought refuge in England , Egypt or New Zealand , where they told laughable lies in newspapers  and achieved  prominence  on  anniversaries . But  the  overwhelming majority , the  flower of Australasian youth and manhood –these were , in strength of  character as  of  muscle , men  indeed.
 
 
In  the above cartoon , the cheeky   Kiwis admit stealing  Norman Lindsay's  Blinky  Bill ,  the  famous Australian   Koala . The wounded German  is undoubtedly  a reference to the air ace, Baron von   Richthofen, the Red Baron.
 
 
The editor’s note  states that some of those who contributed  to production of  the book  did so from hospital cots. Some had  drawn their  last  picture , written  their  last verse .  Published by Cassell  and Company, Limited ,London, New York ,Toronto and  Melbourne, the book ran to 20,000 copies , is  well illustrated , some full  plate colour ; a cartoon attributed  to " Finey  " is almost certainly the work of  George Finey, an under-age private who served in the war,  became an official  war  artist  . In his book The Inked In Image , author Vane Lindesay ,  of Melbourne , who recently celebrated his 93rd birthday , said  Finey , who worked in  Australia on  Smith’s Weekly, drawing many comic jokes , was one of  the  most famous of  the 20th century  portrait  caricaturists.